Last night Spencer was telling me about the lyrics to How do you sleep? * by John Lennon, we agreed that sometimes John Lennon was a small man while we drank tea and ate cup cakes fresh from the oven. Last night there was nothing above us save bats, stars and darkness but today I discovered how easy it is to be small, how anger writes my emails for me while my head thinks calmly of washing dishes. I'm listening to McCartney's Fireman album Electric Arguments online as punishment.
I prefer the false intimacy of madness to those plodding people, backyards planted thick with Sunday afternoons, this as always has been my downfall.
I had a terrible time when I went to Queensland with Superman. Early on in the trip Superman ceased all the usual modes of expressing friendship, such as acknowledging my presence or consenting to conversation and abandoned me almost entirely to his beige ** and ever present relatives who eyed me suspiciously and talked quietly about the way Superman was not talking to me. The house itself had some potential but was decorated so hideously and situated so firmly in that particular kind of Queensland suburban isolation that the building itself bred oppression. The people were not unkind but I drifted through days bored, ignored, isolated and trapped. Having lost my wallet and broken my phone I was unable to plan any kind of independent escape. I watched the heavy hours pass, unwilling or unable to talk to Superman and risk his unreasonable anger in response.
When I returned to The Peach, after twelve stretched days of extreme politeness and a constant biting of my tongue, I determined to irrevocably terminate my friendship with Superman. My friends dissuaded me, counseled me with caution, begged me to take some time to think it over, the lovely Rita being a watchful guardian against impulsive action. So I did and I was until Superman messaged me out of the blue about Bill Callahan tickets and I replied in my sleep. If I had been fully conscious I would not have gone. I sat on the train opposite Superman thinking well I might as well see what kind of a time I have, and in the end it was not bad so I invited him to my birthday dinner, eventually, as instructed by friends.
I invited him to my birthday dinner but received no reply, not even Grizelda who was in charge of booking the table received a reply to her kind text message. I received no reply until almost the night itself, I did not expect him to attend but attend he did. He attended without so much as a scrawled message of happy birthday on the back of an envelope but with a battery of narkiness, a determination not to enter into conversation with me or anybody except a baffled Grizelda and then he left, straight after dinner, leaving me shrugging my shoulders on a street corner.
I thought I might try and talk to Superman about this business and to ask him to return some albums he had borrowed, but he would not take my calls, I sent an email asking if it was me he was avoiding or just people in general, thinking I would approach the issue with an enquiry instead of an assumption. Most often I have avoided writing anything of consequence about Superman, to avoid having one of his great and petulant misunderstandings, but right about now I don't really give a damn, I am quite certain that no matter what I do or say he will alter every meaning of every syllable until it sounds like the ringing in his head and he ticks off another box on his list of always being right.
A week passed before I received any reply but such a reply I most certainly did not expect to receive. I am shocked at his arrogance, petulance, selfishness and general ability to shove his head so far up his own arse whilst still uttering audible insults. I am shocked despite my knowledge of his character and temperament, I am shocked despite all of my past tongue bitings during his interminable lectures on How Superman Sees The World And Why He Is Correct And Also Why You Would Be Stupid If You Disagreed (or dared to believe in love). I once again find myself more angry than you can imagine, or at least I was until I felt embarrassed and humiliated for allowing myself to imagine that Superman and I were friends. I feel embarrassed and humiliated for all my bendings to his will, for my silences when I disagreed, for my defence of his character to all and sundry, for holding off the official Superman Is A Prick ceremony that some others attempted to invoke some time ago and for batting away my idle wonderings that such a good man has so paltry a circle of friends, that he hardly ever has any contact with.
Hold the phone I just received an email reply, the single word "fine". So fine it is, here ends the brief but eventful friendship of Dale Slamma and Superman, during which Dale Slamma lost her job, her car, her wallet, her phone, her confidence and for a short time, her backbone. Pass me my hatchet I've some work to do.
* How do you sleep?
by John Lennon - about Paul McCartney
So Sgt. Pepper took you by surprise
You better see right through that mother's eyes
Those freaks was right when they said you was dead
The one mistake you made was in your head
Ah, how do you sleep?
Ah, how do you sleep at night?
You live with straights who tell you you was king
Jump when your momma tell you anything
The only thing you done was yesterday
And since you're gone you're just another day
Ah, how do you sleep?
Ah, how do you sleep at night?
Ah, how do you sleep?
Ah, how do you sleep at night?
A pretty face may last a year or two
But pretty soon they'll see what you can do
The sound you make is muzak to my ears
You must have learned something in all those years
Ah, how do you sleep?
Ah, how do you sleep at night?
** Superman's sister Ol' Mon Mon is not a beige person, she is an ideal person.
Showing posts with label Spencer. Show all posts
Showing posts with label Spencer. Show all posts
A Hollywood who dunnit solved
Yesterday Mr X flagged down a taxi and zoomed us over to Surry Hills to see Spencer and Abdullah play solo sets at Adam Lewis's Sunset People at the Hollywood. This boring background information is crucial for two reasons. Reason the first, I like being zoomed in taxis. Reason the second, a mystery occurred at the Hollywood. It was time for The Peachette Detective Agency to solve another case.
The detecting business is more tricky than I thought. So far I have solved no mysteries despite opening my first detective agency thirty years ago. Someone must have slipped determination into my beer because when a new mystery presented itself I went ahead and solved it.
The Mystery
Who wrote "WHY AREN'T YOU DATING ADAM LEWIS? HE IS A BABE" on the tiles in a toilet cubicle at the Hollywood?
Answer
I know but I can't tell you. The investigative process was furious and swift. People were questioned, text messages were sent and Adam Lewis became bemused.
By the end of the night beer provided an anaesthetic effect on my broken foot and pain became a memory, which is a shame really. There's nothing like a limp to add a hint of the hardboiled to working a case.
The triumph of solving the case has not been dimmed by the watertight confidentiality agreement made during the investigative process. Triumph whilst sometimes exhibited externally by yelling, clapping, smiling, crying, jumping, dancing or hugging is first and primarily experienced in the mind. Besides, I know who dunnit and in Hollywood that's all that really matters.
A short history of my early years as a detective.
Oh and in answer to the question in question. I would date Adam Lewis but I might be arrested for dating someone young enough to be my son, I think. I haven't done the maths but that answer seems right to me.
The detecting business is more tricky than I thought. So far I have solved no mysteries despite opening my first detective agency thirty years ago. Someone must have slipped determination into my beer because when a new mystery presented itself I went ahead and solved it.
The Mystery
Answer
I know but I can't tell you. The investigative process was furious and swift. People were questioned, text messages were sent and Adam Lewis became bemused.
By the end of the night beer provided an anaesthetic effect on my broken foot and pain became a memory, which is a shame really. There's nothing like a limp to add a hint of the hardboiled to working a case.
The triumph of solving the case has not been dimmed by the watertight confidentiality agreement made during the investigative process. Triumph whilst sometimes exhibited externally by yelling, clapping, smiling, crying, jumping, dancing or hugging is first and primarily experienced in the mind. Besides, I know who dunnit and in Hollywood that's all that really matters.
A short history of my early years as a detective.
Oh and in answer to the question in question. I would date Adam Lewis but I might be arrested for dating someone young enough to be my son, I think. I haven't done the maths but that answer seems right to me.
Cataclysmic but slowly and not without joy
We were up to our necks in love. Well that's what it felt like to me as I danced across the kitchen and down the hallway while about a dozen people sang their hearts out in my lounge room.
The idea was simple. I wanted to drink some and sing a little. Gemma had the bright idea of throwing a singing party at The Peach, so I did.
The night was dark and stormy (I have always wanted to write that and mean it). Some guests arrived drenched and shivering, clutching a guitar under one arm and a six pack under the other. Some swanned in shaking out umbrellas holding bottles of wine and one or two appeared in the kitchen as though teleportation was possible.
The singing began slowly but the chorus swelled until we were delirious and not one person was silent in the house. We had three people with guitars, Spencer, P. Street and Jeremy Smith, Robert on the floor with a tambourine and a snare and enthusiastic singing from no less than one dozen people at any one time. We wandered recklessly through musical history and modes of good taste, anyone got a go, anyone from Samantha Fox, David Bowie and Robyn Hitchcock to The Pixies and even Counting Crows. No one was more surprised than me to realise that all of us, without exception, knew all the words to Mr Jones.
The weather, jetlag and tour dates kept us to a small and merry band. From time to time one of us would look up and around the room and get a little misty because while we were singing just for the hell of it we were also saying goodbye. At midnight I gave a toast to The Peach and all who have sailed in her because Grizelda and I are moving out, for good.
Mr Oddweird the landlord has gone and done it this time. He has defaulted on his mortgage and The Peach is being repossessed by the bank. I have lived in fear of the day we would be forced, by one disaster or another, to leave this house but when the day arrived I surprised myself. I don't really mind.
When I first came to The Peach I'd been most thoroughly shredded by the tragic end of a long and dramatic relationship. I wasn't sure it was possible to feel worse than I did, perhaps not even possible to feel like I did and stay alive for a whole day at a time but I did. It hasn't always been easy here in The Peach but I have loved it, every difficult, horrible, euphoric moment of it since I first walked through the door carrying nothing but a game of boggle and a plastic bottle full of water.
Its been almost seven years since I signed the lease and handed over all of my savings for bond and two weeks rent in advance. The cat and I were both astonished by the light and noise of what we call the city when we first moved in. The cat spent the first fortnight in my wardrobe refusing to come out for anything but to use the litter tray or take a small drink of water. Now the cat roams the house freely and I can sleep through just about anything.
Mr Oddweird has let me down as a landlord over the years. The water has been turned off three times because he didn't pay the bill, he took off with the inside front door handle four years ago and never brought it back. The back door has never had a lock on it and he failed entirely to make any repairs to the bathroom after the mirrored cabinet crashed to the ground and smashed about six years ago. Last year he began renovating the flat underneath The Peach (which has been vacant the entire time I have lived here) by removing the floors, walls, kitchen and bathroom and digging large holes in the now dirt floor. But this time I suspect he has mostly failed himself.
It seems strange to me that I am almost looking forward to the move. I'm ready for a new adventure. Grizelda and I are headed just three suburbs away but around here that's like a whole new country. We'll be setting up shop in a beautiful little house with polished floorboards, a dishwasher in the kitchen and a neat little courtyard out the back where I can plant strawberries and herbs. Sylvia the cat and Grizelda's new pain in the arse kitten Oscar will be making the move with us as will Edith the gold fish and most of our stuff.
I've been giving away belongings, throwing things out, selling furniture I've carried with me from relationship to relationship. Junking all the built-up useless things and jettisoning the ballast. When I pack my bags and make my way to the new house I'll probably be carrying a few little heartaches and a head full of memories but I'm going to put my teapot in the cupboard anyway and see what happens next.
Dividing rages and a foul and pestilent congregation of vapours or both more tender and more violent
It's been about a week since I started answering the question 'how are you going?' with the blunt answer 'I feel like shit, the world tastes like sawdust', or an entire Hamlet soliloquy (III) communicating more elegantly the world-is-sawdust feeling.
My friends now seem to have divided into three distinct categories:
1. The disbelievers
(not the band) but people who see me and hear what I am saying and then dismiss it as flippant word-vomit and carry on talking about their shoes, dog, band, ex-girlfriend or housemate.
2. The ignorers
They seem to listen to what I am saying and receive the information as truth but then decide it is irrelevant and carry on as normal. Spencer is leading the charge in this group (I) with Mr X a close but different kind of second. Mr X may in fact not be an ignorer but just a close-card-holder, it can be difficult to tell with him but then at other times he is jumping around all floppy and winsome like a four-year-old child. He is an odd mixture of warm and aloof.(II)
3. The warm lights in a dark world:
Two of my friends have been cheering me up and making me feel loved and welcome, for some reason this seems to make Spencer angry(I). These are the best kinds of friends, the ones who listen and then respond. I'm fortunate they have chosen a kind response but really any response is better than none.
Footnotes
(I) How do you solve a problem like Spencer?
He's not a complicated man. He thinks a lot, acts inappropriately a lot, occasionally deigns to write a song, plays in a band, drinks too much, deliberately says the wrong things and stays up too late. He's just like everyone else in the Inner West except that he is my friend and I might want to punch him in the face. Just once. Maybe.
You see last Friday night Spencer, R and I were sitting together at an after-party for a record launch. R was being deliberately kind to me but every time she said something Spencer would raise an eyebrow and suppress a smirk. I've known him too long to miss signals like that, to me it was the fair equivalent of a flashing neon sign. Ordinarily I might have just let it go, like the thousand other arch expressions, wry grins and outright sneers that Spencer produces in the course of any conversation, but not this time.
The combination of exhaustion and world-is-sawdust had me feeling vulnerable and raw enough to actually feel all of Spencer's slings and arrows. I am used to him being the first illustrate my shortcomings with an anecdote from his arsenal of my failings. He has a story about me for everything from bad dancing, interpersonal ineptitude, ignorance, bad taste in music, absence of fashion sense, being afraid of things, giving terrible speeches to general hard-hearted and fuckwittedness. I usually endure these stories with humour as most of the time they are not meant to sting.
This time Spencer's raised eyebrow seemed to indicate that R had no idea who she was talking about, that I was much more of a fuckwit than she suspected and that perhaps I wasn't worthy of being taken under her kind wing. This made me want to punch Spencer in the face for R's sake if not mine. R has seen me act appallingly often enough to have made an informed decision.
I wanted to perform a fluid ninjaesque leap across the table and punch him in the face whilst emitting loud volumes of violent yelling but all I did was leave the party. Since then I've been trying to talk with Spencer so I can work out if I do want to punch him or if he was just having one of those moments. I want to explain to him that he must have missed something in all those years of talking with me because I feel both more tender and more violent than he seems to understand. But you know, he's busy...
(II) A beginner's guide to impersonating Mr X.
First make yourself very tall, make your hair very tall, wear black-rimmed glasses and a Rolling Stones t-shirt.
1. Sit down quickly. Cross your long legs haughtily.
2. Ignore DS and stare at your telephone for at least three full minutes.
3.Turn suddenly and fully back to the conversation.
4.Smile disarmingly, reveal something personal, say something generous and kind.
5. Re-cross legs haughtily. Steal cigarette directly out of DS's hand without asking (smile disarmingly or act as though this is normal and everyone does it all the time).
6. Give cigarette back. Re-cross legs haughtily.
7. Ignore DS for at least three full minutes.
Repeat ad infinitum.
(III) An Entire Soliloquy from Hamlet
I will tell you why; so shall my anticipation
preuent your discouery of your secricie to the King and Queene: moult no feather, I haue of late, but wherefore I know not, lost all my mirth, forgone all custome of exercise; and indeed, it goes so heauenly with my disposition; that this goodly frame the Earth, seemes to me a sterrill Promontory; this most excellent Canopy the Ayre, look you, this braue ore-hanging firmament, this Maiesticall Roofe, fretted with golden fire: why, it appeares no other thing to mee, then a foule and pestilent congregation of vapours. What a piece of work is a man, How noble in Reason, how infinite in faculties, in form and moving how express and admirable, In action how like an Angel! in apprehension how like a god, the beauty of the world, the paragon of animals. and yet to me, what is this quintessence of dust? Man delights not me; no, nor Woman neither; though by your smiling you seeme to say so. | ||
—The Tragedy of Hamlet, Prince of Denmark (Act II, Scene ii, 285-300)
| ||
Additonal notes to be yelled out loud
A STERILE PROMONTORY!
RICHARD E. GRANT!
NO OTHER THING THAN A FOUL AND PESTILENT CONGREGATION OF VAPOURS!
I AM BOTH MORE VIOLENT AND MORE TENDER!
THIS EXCELLENT CANOPY THE AIR!
QUINTESSENCE OF DUST!
HUG ME YOU FUCKWITS! (because I can not shake of this feeling of doom and I have become afraid)
HUG ME YOU FUCKWITS!
Additional viewing to be watched and also listened to (because I said so)
Uphill battles can be won quite easily if you tip the world over a little
I really thought Spencer would demand some kind of Spencer Awesome Test but he didn't. Shows what I know. He did suggest some kind of negative test, a sort of unawesome test but I'll leave that kind of thing for the haters who hate. Everyone needs a hobby.
Today was one of those stupid days where facts and tasks roller coaster around I point at them and laugh. There'll be time enough tomorrow to take the ride and do the screaming but for now I'm pondering out some early plans for something new. One of those side projects to a main project, like Tim Sinclair's
Re: Reading the Dictionary. In my fake interview with Tim I discovered that this remarkable project first came about as a distraction, a little project done on the side of a big one. Today it struck just how grand of an idea that is.
Writing a whole novel is sometimes boring, often trying and takes a long fucking time. Unless you are Ian Fleming who once wrote an entire James Bond novel in three weeks. It is a shame I'm not writing about spies, or in the 1950's when it was more acceptable to make loud typing noises on typewriters and fill entire houses with second-hand smoke. But back to the part where it takes a really long time. It takes a really long time and long deliberate hours of sustained effort and right now I'm finding this more exhausting than anything else, like the world has tilted and every direction is now uphill. But fuck that for a way of being, I'm going to take on a smaller project as well. One with a short deadline. A project that can be commenced and completed inside of a month. If that doesn't level out the tipping a little then fuck this I'm buying skis.
My new distraction project has the tentative working title of Remembering The Horse. It will be variable in content, crammed with the overly-sentimental, starkness, spareness and good raw bones. It will be what any anguished moments in April turn into. And then it will be an ebook. And then it will be done.
To help things along a little I'm going ghost protocol for all of April. This will be a combination of minimal electronic communication and blogging, pots of tea, a brand new notebook and possibly pen, and long stupid dresses worn inside the house. I might even be looking forward to it.
Safari or What kind of cheese can you hide a small horse in?
Spencer waited with me on the corner for Mr X to come and collect me in his car. We stood in the rain, after all those years of drought I still think of the rain as rare. It rains here every day now and there are floods and the dam has overflowed but after living so long with dry bones the rain will remain, in my heart, a rare and beautiful spectacle to be embraced. We drove away leaving Spencer on a back street in Newtown. I never worry about driving away from Spencer every third person in town is someone who wants to sit down and spend time with him.
I don't know how Mr X steered so straight and steady, the rain came in diagonal drifts and all I could though the slanting darkness was freeway markers and pale lights from other cars. We arrived at the venue and I was piled up with stands and bags of leads and one heavy guitar. Mr X went about the business of setting up, plugging things in, turning things on up on stage with the rest of the band. I am used to these kinds of procedures and know the very best thing I can is stay out of the way so I wandered about a little and took in the vast electric rooms.
The venue was a club. The kind with acres of poker machines and an all you can eat buffet. Rooms opened onto other rooms onto more rooms. It was vast and lit with a combination of fluorescent lights and small dim stars meant to add atmosphere. The carpet was a uniform deep dull red but the walls varied from charcoal to beige. I found a cafe in one of the rooms and ordered myself a coffee and a sandwich, busied myself having dinner and making notes from a small table near the stage.
The band played and I intermittently wandered around having little chats with the locals. The gulf between me and the residents of Western Sydney has never seemed greater. I don't understand how this has happened. I grew up in Western Sydney, went to public schools, all my friends lived in the same area, I even went to the University of Western Sydney but there a difference so deep that I am sure it is forensically detectible at every level even beginning with DNA.
I participated in a conversation with two other women. One was dressed head-to-toe in turquoise and aqua tones she insisted on calling aquamarine. She said her eyes were the greatest eyes anyone would ever see, she told they were aquamarine the same as her birthstone and pointed at the cheap looking studs piercing her ears. The stones were aquamarine, like her eyes, but neither were beautiful. The other woman looked to me like an off-duty stripper. Bleached hair rolling over her enlarged brestas, down past her the tail of her painfully thing abdomen, huge black false eyelashes fanning like spiders across a heavily made-up face.
The two women speaking to each other. Instantly, before exchanging names, they entered a competition I have never witnessed before. It was like a prolonged and violent exchange of volleys at a championship tennis match. Each sentence a fired and condensed repor to the very worst moments of their lives.
"My husband died."
"My son is in jail."
"My husband abused me."
"I nearly died in a car crash."
"I've had two major back surgeries because I nearly died in a car crash."
"I've had two car crashes."
I asked if they knew each other because it seemed to me that something more than an introductory conversation was happening but they simultaneously denied it with, "No. Why?".
They continued firing facts at each other like bullets, sizing each other up. It was hard and impenetrable and I was well out of my depth. I have no idea how to interact in that kind of conversation. The talk came to an abrupt halt when the turquoise woman declare she was going to vomit, spilt her glass of lemonade on the floor, she told me she never ever drinks, and took off like a shot through the acres of poker machines.
A man walked up to me as I sat puzzling over what had just happened. He walked right up to me, shoe to shoe, and threw a stick of gum in my handbag. He winked at me and told it was for later. By this time the band had finished their first set and I took refuge backstage with them. I stood leaning against the wall nursing a beer Mr X provided, thinking it all over. The band began remarking on the club and it's patrons and I laughed with them at the strangeness of it all but I have to admit I was a little shaken.
What causes two women to lead a social interaction with the very worst moments of their life? Why are they so hard that they converse like battalions of soldiers charging at each other with bayonets? Why was the atmosphere so tense it made sense to me that the very next step would be violence?
On the way back to the Inner West Mr X and I pondered the nature of the town we were just in and each declared it would be impossible to live there, impossible to survive living anywhere at all like that. I panicked a little as though that is exactly what would happen, as though I was being forcefully transferred there and would have to survive as best I could. Mr X snorted when I told him, he said living there, or anywhere like that, was entirely out of the question and to my relief I believed him.
Mascarpone.
I don't know how Mr X steered so straight and steady, the rain came in diagonal drifts and all I could though the slanting darkness was freeway markers and pale lights from other cars. We arrived at the venue and I was piled up with stands and bags of leads and one heavy guitar. Mr X went about the business of setting up, plugging things in, turning things on up on stage with the rest of the band. I am used to these kinds of procedures and know the very best thing I can is stay out of the way so I wandered about a little and took in the vast electric rooms.
The venue was a club. The kind with acres of poker machines and an all you can eat buffet. Rooms opened onto other rooms onto more rooms. It was vast and lit with a combination of fluorescent lights and small dim stars meant to add atmosphere. The carpet was a uniform deep dull red but the walls varied from charcoal to beige. I found a cafe in one of the rooms and ordered myself a coffee and a sandwich, busied myself having dinner and making notes from a small table near the stage.
The band played and I intermittently wandered around having little chats with the locals. The gulf between me and the residents of Western Sydney has never seemed greater. I don't understand how this has happened. I grew up in Western Sydney, went to public schools, all my friends lived in the same area, I even went to the University of Western Sydney but there a difference so deep that I am sure it is forensically detectible at every level even beginning with DNA.
I participated in a conversation with two other women. One was dressed head-to-toe in turquoise and aqua tones she insisted on calling aquamarine. She said her eyes were the greatest eyes anyone would ever see, she told they were aquamarine the same as her birthstone and pointed at the cheap looking studs piercing her ears. The stones were aquamarine, like her eyes, but neither were beautiful. The other woman looked to me like an off-duty stripper. Bleached hair rolling over her enlarged brestas, down past her the tail of her painfully thing abdomen, huge black false eyelashes fanning like spiders across a heavily made-up face.
The two women speaking to each other. Instantly, before exchanging names, they entered a competition I have never witnessed before. It was like a prolonged and violent exchange of volleys at a championship tennis match. Each sentence a fired and condensed repor to the very worst moments of their lives.
"My husband died."
"My son is in jail."
"My husband abused me."
"I nearly died in a car crash."
"I've had two major back surgeries because I nearly died in a car crash."
"I've had two car crashes."
I asked if they knew each other because it seemed to me that something more than an introductory conversation was happening but they simultaneously denied it with, "No. Why?".
They continued firing facts at each other like bullets, sizing each other up. It was hard and impenetrable and I was well out of my depth. I have no idea how to interact in that kind of conversation. The talk came to an abrupt halt when the turquoise woman declare she was going to vomit, spilt her glass of lemonade on the floor, she told me she never ever drinks, and took off like a shot through the acres of poker machines.
A man walked up to me as I sat puzzling over what had just happened. He walked right up to me, shoe to shoe, and threw a stick of gum in my handbag. He winked at me and told it was for later. By this time the band had finished their first set and I took refuge backstage with them. I stood leaning against the wall nursing a beer Mr X provided, thinking it all over. The band began remarking on the club and it's patrons and I laughed with them at the strangeness of it all but I have to admit I was a little shaken.
What causes two women to lead a social interaction with the very worst moments of their life? Why are they so hard that they converse like battalions of soldiers charging at each other with bayonets? Why was the atmosphere so tense it made sense to me that the very next step would be violence?
On the way back to the Inner West Mr X and I pondered the nature of the town we were just in and each declared it would be impossible to live there, impossible to survive living anywhere at all like that. I panicked a little as though that is exactly what would happen, as though I was being forcefully transferred there and would have to survive as best I could. Mr X snorted when I told him, he said living there, or anywhere like that, was entirely out of the question and to my relief I believed him.
Mascarpone.
Two kinds of shiver and the bare table left adrift in the centre of the library
The shadows are strange in here today. Slow and deliberate but diffused as though less sure of themselves than they claim to be. There is sky of medium blue but I have disregarded it. In here the air feels rainsoaked and the smells are green and shaded, not pine nor eucalyptus in tone, neither so deep a green nor so olive. There is a sensation of being adrift in a haven while outside all things are moss.
The furniture remains rearranged from Saturday night's dinner party, here and there I find a wine-stained glass and dishes are strewn in a beautiful mess. Some of them washed some streaked with the final course of the night. The last guest departed, reluctantly at false dawn, as I shivered in my skin. There is a chill that comes and will not be denied when I have been awake three hours too many.
The dinner was successful, the guests full of chatter and goodwill, the wine never running out. We took turns at blindfolding each other and staggering around with a paper donkey's tail held out in one hand, the other hand stretched blindly into empty space. We decorated with linen napkins, flowers in empty jars, lit candles and borrowed plates. Mr X was the only person to successfully pin the tail on the donkey, his prize was to perform an interpretive dance to a song of his choice. Spencer eyed him suspiciously while he danced, almost always it is Spencer who is watched while we do the watching.
Now I have here some notes I made on Friday night when I was dragged, willingly, to Mr X's strange gig out West in one of those giant clubs with acres of poker machines and an all you can eat buffet featuring both Chinese dishes and pizza. I was horrified by the people I met, the forcefulness of their presence, the blunt and alarming manner they conducted themselves like alarmed and enlisted echnidas forced upright and forwards despite the spines and spikes pointing out in all directions and the hand grenade clutched in the palm of their right hand.
I am supposed to be at work but I found, after dressing there was a chill in the air and the strong urge to wrap knitted layers across my shoulders combined with a sensation that if I laced up my shoes and walked down the front path I would turn to glass and shatter before I reached the corner. I am probably coming down with a cold, it always feels first as though I have been indelibly altered and then a day later I realise it the usual case of a mild fever and the manufacturing of snot. There is the hope that one day I won't notice and I'll just walk around like everybody else clutching a tissue and making a cup of tea.
The furniture remains rearranged from Saturday night's dinner party, here and there I find a wine-stained glass and dishes are strewn in a beautiful mess. Some of them washed some streaked with the final course of the night. The last guest departed, reluctantly at false dawn, as I shivered in my skin. There is a chill that comes and will not be denied when I have been awake three hours too many.
The dinner was successful, the guests full of chatter and goodwill, the wine never running out. We took turns at blindfolding each other and staggering around with a paper donkey's tail held out in one hand, the other hand stretched blindly into empty space. We decorated with linen napkins, flowers in empty jars, lit candles and borrowed plates. Mr X was the only person to successfully pin the tail on the donkey, his prize was to perform an interpretive dance to a song of his choice. Spencer eyed him suspiciously while he danced, almost always it is Spencer who is watched while we do the watching.
Now I have here some notes I made on Friday night when I was dragged, willingly, to Mr X's strange gig out West in one of those giant clubs with acres of poker machines and an all you can eat buffet featuring both Chinese dishes and pizza. I was horrified by the people I met, the forcefulness of their presence, the blunt and alarming manner they conducted themselves like alarmed and enlisted echnidas forced upright and forwards despite the spines and spikes pointing out in all directions and the hand grenade clutched in the palm of their right hand.
I am supposed to be at work but I found, after dressing there was a chill in the air and the strong urge to wrap knitted layers across my shoulders combined with a sensation that if I laced up my shoes and walked down the front path I would turn to glass and shatter before I reached the corner. I am probably coming down with a cold, it always feels first as though I have been indelibly altered and then a day later I realise it the usual case of a mild fever and the manufacturing of snot. There is the hope that one day I won't notice and I'll just walk around like everybody else clutching a tissue and making a cup of tea.
Every day an adventure of one sort or another
Boring bit upfront: I'm joining in on the 'blog every day in March' thing because I thought I might as well as not. Apparently lots of people are doing it, because of this guy, also there is a hashtag, #b03.
Another more different slightly less boring bit. I am beginning to love American public radio shows, like WNYC's Radiolab and NPR's Fresh Air and even This American Life. These shows seem to explore topics in a wandering way with genuine curiosity, I suspect this is how I prefer to think. Studying law I found I could never concentrate strictly on the topic at hand, the case in question would lead to thinking about the story of the people which lead to the topic of the story of the people which would lead to other people and their stories and then a new topic would arise and the process would start all over again. This kind of thinking is not ideal when attempting to think like a lawyer.
Happily I no longer need to attempt to think like a lawyer, not ever again, and so I have given myself a challenge. Does this style of thinking work for writing things down? Even if it's just writing for this stupid blog? I'll find out by experimenting. For the duration of this every day in March thing I will allow the wandering to have its way and see where I end up. End official boring bit, the next bit might also be boring too but it is not official.
The harbour slides into view in the most surprising way when you catch the train from Newtown into the City Circle. It's all tunnels and communication blackout and suddenly there the fuck it is, bridge and building and shining sea all in the small box of a glass train window and you've no choice but to centre yourself geographically, floating above the quay and the unreasonable view screaming Sydney, Sydney on repeat until the train slides away and noses back underground into darkness.
I walked from St James station to the NSW Gallery with one of the Bruce Green boys, the non-Artboy one, because he was going to work at the gallery. Seems to me like he works at every gallery and museum in the city. It's a stupid walk from the station to the gallery, underground tunnels, road crossings and then a walk along a park that feels unnecessary more than pleasant as though they dropped the gallery in wrong spot by accident.
Picasso is the reason I left the kitchen table on my day off, Picasso and a strong desire to be unromantic. Recently I have been accused of being a romantic by three separate men* on three separate occasions. I despise romanticism so I left the light to slide across the floor without me, left the teapot on the shelf and marched out into the world determined to be as unromantic as possible.
A solo expedition around an exhibition is not romantic but today it was moving, in places. A sketch near the beginning of the exhibition trapped me. Slammed me into reverie and there I stayed until an elderly woman in a red hat shoved me on purpose. I think it was a self-portrait, it was called something like "The artist drawing, with hand studies". One clear bold sketch of the artist, bare-chested and youthful with disembodied hands floating around the edges of the page in more ghostly lines, some of them hesitant and pale.
The rawness of Picasso's sketch appealed to me. More than anything I love the beginnings, the sketches, the demo tapes, the first draft, when there is nothing but raw art at work. A direct line from mind to page or sound or canvas. In this stage of work you cannot lie, you can not hide behind the reworkings and the polish that inevitably comes with experience. I don't dislike finished works but the raw beginnings excite me.
My love of raw beginnings has lead me to some odd places, tiny galleries in back alleys, bands playing under buildings and in warehouses or lounge rooms, people singing in the park at midnight and then of course there is PAN magazine. The editorial team is learning, very quickly, how to have a magazine but many of our contributors for each issue have no experience and I love this. This is one way of transferring raw beginnings from garages and kitchen tables into the hands of readers. Another way of examining the unedited beginnings has been, and still is, this blog. In the beginning of this blog I was new to the city, new to being alone, I was shot from my old life without warning and I was on the edge. Of course it transformed and I let it because here I remain unedited, without expectation or rules which exactly how I find my best friendships are, with Spencer and with others, like Robert.
I don't write much about Robert, he is intensely private, much more so than any person I have ever known but that doesn't mean he isn't around, sometimes in person and often in my thoughts or in my telephone, like today. Robert called from his hometown in another state and asked for a favour. I was inside a bookshelf when he called. I was building one of these flat-pack bookshelves in the hallway and found it necessary to lie the half-built thing down flat and slide in between the long pieces to tighten some screws. I didn't hesitate to say yes, it seems a great privilege to be asked by someone to be of help in their life. The favour involved climbing out from inside the bookshelf, out the window, the front door was blocked by the bookshelf and straight into a taxi to Kings Cross to make a cash deal with a real estate agent.
Robert, having flown out this morning for a month, received a call informing him he had indeed been approved for the flat he applied for but the real estate agent needed the deposit by close of business today. This is where my and my taxi catching come into play. After crossing the city again, this time in the comfort of a motor vehicle, I found myself face to face with an astonishing man. I suppose he might not be so astonishing on meeting him a second time but that first time had my ovaries in a knot.
Here's what I know about the real estate man, he wears suits, an expensive watch and has very shiny shoes and the astonishing effect of sitting down next to him is the sudden and urgent need to breed, with him, immediately if not sooner. I don't know if he's handsome, I suppose he might be but not obviously so. His accent is thick and possibly Turkish. The hallmarks of Turkish language are vowel harmony and agglutination but I don't know what that means, he sounded deep and musical and unfamiliar. He doesn't hold himself in any particular way, his office is small and messy, he was not especially friendly nor was he too cold or overly professional. There is no logical reason for the unexpected feelings. It was raw and immediate and entirely unedited and I'll make sure it stays that way.
Sometimes the beginnings of making an acquaintance is the most profound part, before I find out that they wear novelty socks or dislike their mother or have a dull and heavy mind. Sometimes walking past someone and observing how they occupy the world in that moment is enough.
* Lex Wick is one of my accusers, the others don't have blogs.
Another more different slightly less boring bit. I am beginning to love American public radio shows, like WNYC's Radiolab and NPR's Fresh Air and even This American Life. These shows seem to explore topics in a wandering way with genuine curiosity, I suspect this is how I prefer to think. Studying law I found I could never concentrate strictly on the topic at hand, the case in question would lead to thinking about the story of the people which lead to the topic of the story of the people which would lead to other people and their stories and then a new topic would arise and the process would start all over again. This kind of thinking is not ideal when attempting to think like a lawyer.
Happily I no longer need to attempt to think like a lawyer, not ever again, and so I have given myself a challenge. Does this style of thinking work for writing things down? Even if it's just writing for this stupid blog? I'll find out by experimenting. For the duration of this every day in March thing I will allow the wandering to have its way and see where I end up. End official boring bit, the next bit might also be boring too but it is not official.
The harbour slides into view in the most surprising way when you catch the train from Newtown into the City Circle. It's all tunnels and communication blackout and suddenly there the fuck it is, bridge and building and shining sea all in the small box of a glass train window and you've no choice but to centre yourself geographically, floating above the quay and the unreasonable view screaming Sydney, Sydney on repeat until the train slides away and noses back underground into darkness.
I walked from St James station to the NSW Gallery with one of the Bruce Green boys, the non-Artboy one, because he was going to work at the gallery. Seems to me like he works at every gallery and museum in the city. It's a stupid walk from the station to the gallery, underground tunnels, road crossings and then a walk along a park that feels unnecessary more than pleasant as though they dropped the gallery in wrong spot by accident.
Picasso is the reason I left the kitchen table on my day off, Picasso and a strong desire to be unromantic. Recently I have been accused of being a romantic by three separate men* on three separate occasions. I despise romanticism so I left the light to slide across the floor without me, left the teapot on the shelf and marched out into the world determined to be as unromantic as possible.
A solo expedition around an exhibition is not romantic but today it was moving, in places. A sketch near the beginning of the exhibition trapped me. Slammed me into reverie and there I stayed until an elderly woman in a red hat shoved me on purpose. I think it was a self-portrait, it was called something like "The artist drawing, with hand studies". One clear bold sketch of the artist, bare-chested and youthful with disembodied hands floating around the edges of the page in more ghostly lines, some of them hesitant and pale.
The rawness of Picasso's sketch appealed to me. More than anything I love the beginnings, the sketches, the demo tapes, the first draft, when there is nothing but raw art at work. A direct line from mind to page or sound or canvas. In this stage of work you cannot lie, you can not hide behind the reworkings and the polish that inevitably comes with experience. I don't dislike finished works but the raw beginnings excite me.
My love of raw beginnings has lead me to some odd places, tiny galleries in back alleys, bands playing under buildings and in warehouses or lounge rooms, people singing in the park at midnight and then of course there is PAN magazine. The editorial team is learning, very quickly, how to have a magazine but many of our contributors for each issue have no experience and I love this. This is one way of transferring raw beginnings from garages and kitchen tables into the hands of readers. Another way of examining the unedited beginnings has been, and still is, this blog. In the beginning of this blog I was new to the city, new to being alone, I was shot from my old life without warning and I was on the edge. Of course it transformed and I let it because here I remain unedited, without expectation or rules which exactly how I find my best friendships are, with Spencer and with others, like Robert.
I don't write much about Robert, he is intensely private, much more so than any person I have ever known but that doesn't mean he isn't around, sometimes in person and often in my thoughts or in my telephone, like today. Robert called from his hometown in another state and asked for a favour. I was inside a bookshelf when he called. I was building one of these flat-pack bookshelves in the hallway and found it necessary to lie the half-built thing down flat and slide in between the long pieces to tighten some screws. I didn't hesitate to say yes, it seems a great privilege to be asked by someone to be of help in their life. The favour involved climbing out from inside the bookshelf, out the window, the front door was blocked by the bookshelf and straight into a taxi to Kings Cross to make a cash deal with a real estate agent.
Robert, having flown out this morning for a month, received a call informing him he had indeed been approved for the flat he applied for but the real estate agent needed the deposit by close of business today. This is where my and my taxi catching come into play. After crossing the city again, this time in the comfort of a motor vehicle, I found myself face to face with an astonishing man. I suppose he might not be so astonishing on meeting him a second time but that first time had my ovaries in a knot.
Here's what I know about the real estate man, he wears suits, an expensive watch and has very shiny shoes and the astonishing effect of sitting down next to him is the sudden and urgent need to breed, with him, immediately if not sooner. I don't know if he's handsome, I suppose he might be but not obviously so. His accent is thick and possibly Turkish. The hallmarks of Turkish language are vowel harmony and agglutination but I don't know what that means, he sounded deep and musical and unfamiliar. He doesn't hold himself in any particular way, his office is small and messy, he was not especially friendly nor was he too cold or overly professional. There is no logical reason for the unexpected feelings. It was raw and immediate and entirely unedited and I'll make sure it stays that way.
Sometimes the beginnings of making an acquaintance is the most profound part, before I find out that they wear novelty socks or dislike their mother or have a dull and heavy mind. Sometimes walking past someone and observing how they occupy the world in that moment is enough.
* Lex Wick is one of my accusers, the others don't have blogs.
Portraits & lemon wheels distract island resident
 |
| I took this dodgy photo of Lyndal |
I planned to spend every waking moment from Friday after work until Sunday night in a deliberately blissful state of writing reverie but as it so happened one or two things popped up. The first thing was work, stupid fucking work, I ended up working until almost eight at night, until Spencer came in the office door with a Rolling Stones poster and the pronouncement that he was bored and sick of waiting for me to finish. We had planned, earlier in the day, to travel together to official distraction number one.
Official distraction number one was having our portraits taken by the excellent photographer Lyndal Irons, who happens to be a friend of ours. The portraits were Lyndal's idea, not mine. When we got to her house the lounge room was transformed, huge light panel thingos and boxes that look like amps but aren't, they were giant light-controlling box things. We all sat in the back yard drinking beer and yammering in our way until Lyndal called us in one at a time to take her shots. I don't like having my photo taken, I'm not at all photogenic, I'm all surface, no shadow, unlike Spencer who has more angles than a geometry lesson, but when Lyndal asks me I'll do it.
It was odd just sitting there, occasionally being directed to turn a little this way or another. Lyndal looked busy, changing settings on everything from her camera to the giant light-controlling boxes, moving big things on stands around. I have no idea at all about anything to do with photography, except this, when she works there is a beautiful intensity about her. She becomes transformed and it's mesmerising.
Official distraction number two came the next night. I had two to choose from, one party where Spencer was the dj and I'd know about a billion people. The kind of party that I might easily find myself still at as the sun rises or a party at Mr X's house where I would know almost no one and would most likely stay well within the limits of tame. I chose the wrong party if my purpose was partying. I went to Mr X's house to help his lovely housemate celebrate her thirtieth birthday. It was a mild party, the housemate's friends were over-groomed and simultaneously over-confident and embarrassed. The embarrassment became evident when the housemate declared it was time for an air guitar competition. There were grown men hiding behind the lounge to avoid being called up to compete. If I had declared such a competition at my birthday party a few weeks ago I'm fairly confident that at least three pieces of furniture would have been destroyed in the resulting mayhem. As it was Spencer, Madam Squeeze and AHC performed a five minute interpretive dance piece, with moonwalking, P Street and E from next door waltzed mightily into the refrigerator, Abdullah did something entirely unexpected and I injured myself jumping around with a bucket on my head, and at least three highly shocking yet hilarious events occurred before midnight.
At Mr X's tonight three sets of people competed in an abashed manner and then rejoined the herd as quickly as possible. The poor birthday girl tried getting everybody to do it at once, and then tried to do just general dancing but nothing would work. They all stood there hoping not to be noticed. I felt sorry for the poor girl who is obviously quite a bit more fabulous than her general network of friends.
Around midnight a serious case of the yawns set in, just as Mr X reappeared from the kitchen with a mug of gin and tonic that included a whole wheel of lemon. I suppose I might have stayed and talked merrily with Mr X and the small band of people I have come to know but the yawns got hold of me mightily and skulked back through the back streets to The Peach. I wrote for a few more hours but now I'm giving up for the day. It's three in the morning and I've run out of steam.
I'm hoping tomorrow, with no scheduled official distractions, I can get back to island living.
Hyde Park might be growing on me
Neither Spencer nor I were expecting to enjoy the event. Being invited as 'magazine editors' to a VIP event hosted by an alcohol brand as part of the Sydney Festival was a fairly unattractive proposition but when we got there we changed our minds.
Sydney is capable of pulling up her smog-soaked gown and being suddenly jaw-droppingly beautiful. Spencer and I were sitting in a temporary beer garden in the middle of Hyde Park when he said something along the lines of "Look that way if you want to see something nice". It wasn't nice, it was fucking spectacular. Through the waving green window of a canopy of trees the last light of the day was spilling rose and gold across the old sandstone cathedral and the sky, we all know about those.
We were photographed, plied with free drinks, fed with free prawns and then gently ushered into a plywood contraption they were calling a hunting lodge. The hunting lodge was complete with fake fire, fake antlers on the walls and roaming models in orange hot pants and peculiar hats. After a drink or two the modestly sized building began to take on a genuine feeling of being a hunting lodge. At least what I imagine an actual hunting lodge might be like, there aren't any of those hanging around in Sydney, usually.
We wandered about from bar to garden and back again, taking advantage of the free drinks, until we were once again gently ushered into the hunting lodge. Without fanfare a band began to play and Tim Finn popped up as though beamed in from outer space and jumped straight into 'Six Months in a Leaky Boat'.
Thirty seconds into the set I was hooked. I suppose I should have known that by now Tim Finn is a man who knows how to perform. He brought a surprising raw intensity to his performance, I barely looked away until it was over. The whole crowd felt like it was one communal splitting grin.
I had no idea how brilliant seeing Tim Finn playing a small fake hunting lodge would turn out to be so thank you Sydney Festival, and alcohol brand with a bottomless marketing budget, thank you.
Sydney is capable of pulling up her smog-soaked gown and being suddenly jaw-droppingly beautiful. Spencer and I were sitting in a temporary beer garden in the middle of Hyde Park when he said something along the lines of "Look that way if you want to see something nice". It wasn't nice, it was fucking spectacular. Through the waving green window of a canopy of trees the last light of the day was spilling rose and gold across the old sandstone cathedral and the sky, we all know about those.
We were photographed, plied with free drinks, fed with free prawns and then gently ushered into a plywood contraption they were calling a hunting lodge. The hunting lodge was complete with fake fire, fake antlers on the walls and roaming models in orange hot pants and peculiar hats. After a drink or two the modestly sized building began to take on a genuine feeling of being a hunting lodge. At least what I imagine an actual hunting lodge might be like, there aren't any of those hanging around in Sydney, usually.
We wandered about from bar to garden and back again, taking advantage of the free drinks, until we were once again gently ushered into the hunting lodge. Without fanfare a band began to play and Tim Finn popped up as though beamed in from outer space and jumped straight into 'Six Months in a Leaky Boat'.
Thirty seconds into the set I was hooked. I suppose I should have known that by now Tim Finn is a man who knows how to perform. He brought a surprising raw intensity to his performance, I barely looked away until it was over. The whole crowd felt like it was one communal splitting grin.
I had no idea how brilliant seeing Tim Finn playing a small fake hunting lodge would turn out to be so thank you Sydney Festival, and alcohol brand with a bottomless marketing budget, thank you.
Happy fucking new year cocksuckers
I have developed a fondness for swearing, more so than I have ever felt before. I blame Deadwood for this. In an interesting side note I was wearing one of my mother's rings on Christmas day, the gold was dug out of the Black Hills of South Dakota, as was the gold in the necklace now laying on my desk. Both of these were gifts given to my mother by American friends a long time ago. I am sure they never dreamt the greatest joy they would bring to me is to stare at them while I watch Deadwood and yell "cocksucker!".
Oh yes, it is the new year. I can only report that I feel happy. That's right cocksuckers, I feel fucking happy. Spencer and I saw in the ticking of the clock on the Peach Deck with Gemma and one or two select friends. We wanted, I wanted and Spencer's wishes coincided, to have a quiet and drama-free evening doing anything or nothing as the notion took me within the friendly confines of these walls. Mission accomplished.
I am happy, a small part of me hopes you are happy too, the rest of me wants to joyously shout "cocksucker!" in your face and then fire a pistol into the air and gallop away on a horse.
Oh yes, it is the new year. I can only report that I feel happy. That's right cocksuckers, I feel fucking happy. Spencer and I saw in the ticking of the clock on the Peach Deck with Gemma and one or two select friends. We wanted, I wanted and Spencer's wishes coincided, to have a quiet and drama-free evening doing anything or nothing as the notion took me within the friendly confines of these walls. Mission accomplished.
I am happy, a small part of me hopes you are happy too, the rest of me wants to joyously shout "cocksucker!" in your face and then fire a pistol into the air and gallop away on a horse.
It is interesting
It is interesting to go to a party and sit between three singer-songwriters and have them all break into song, at the same time. Very interesting indeed.
On a jet plane
I'm picking Spencer up from the airport in a few days, well Grizelda is driving me in her car to pick him up, and I can hardly wait. I love picking people up from the airport. Airports have everything that counts, heightened emotions, shining public spaces, bars and moving walkways, newsagents lined with novels and people at the end or the beginning of adventure.
I love the long moments of watching a crowd walk by, searching for a glimpse of that familiar person, the top of their head, the curve of their turned back. That second when you spot your person of interest and know for sure that that glimpse of forearm weighed down with a bag is the one you are looking for feels like a revelation. How can it possibly be that the merest glimpse of their outlined shape fills me with such certainty? It's one of those minor miracles, the way we become so accustomed to another that we know, from an abstract shape or disembodied limb, they are walking towards us.
I wonder if Spencer will be grumpy, most likely he will be tired, travel-weary and swirling through relief at being home and regret that it's over. Either way I'm certain of one thing. I'll be glad to see him.
I love the long moments of watching a crowd walk by, searching for a glimpse of that familiar person, the top of their head, the curve of their turned back. That second when you spot your person of interest and know for sure that that glimpse of forearm weighed down with a bag is the one you are looking for feels like a revelation. How can it possibly be that the merest glimpse of their outlined shape fills me with such certainty? It's one of those minor miracles, the way we become so accustomed to another that we know, from an abstract shape or disembodied limb, they are walking towards us.
I wonder if Spencer will be grumpy, most likely he will be tired, travel-weary and swirling through relief at being home and regret that it's over. Either way I'm certain of one thing. I'll be glad to see him.
A letter to Spencer in Leipzig, Germany
Dear Spencer,
There's been a Bensplosion round these parts since you've been gone. I'm not talking just one Ben but many. There are many Bens. I have spent time with at least one Ben a day for the last week. In my head I refer to them by their surnames so as not to become confused, like I do with Hunter, and Wilson, and Worrad. I suppose you've being seeing a lot of those folk lately, say hi to them for me.
Gemma has been texting me words like 'Benglorious, Benerific and Benutopia'. She said I have Bens on a revolving schedule but it's entirely unintentional.
There's been a Bensplosion round these parts since you've been gone. I'm not talking just one Ben but many. There are many Bens. I have spent time with at least one Ben a day for the last week. In my head I refer to them by their surnames so as not to become confused, like I do with Hunter, and Wilson, and Worrad. I suppose you've being seeing a lot of those folk lately, say hi to them for me.
Gemma has been texting me words like 'Benglorious, Benerific and Benutopia'. She said I have Bens on a revolving schedule but it's entirely unintentional.
A letter to Spencer in North-West France (you told them you'd be back)
Dear Spencer,
You know how pineapple is the king of all fruit? Well I mentioned that last night, in a conversation about artificial fruit scents whilst smelling a scratch'n'sniff sticker. Nobody understood what I meant. The sticker-giving woman thought I meant pineapple was my favourite fruit, Mr X was just puzzled but he leant over a little and said "I like pineapple, it's a good fruit." but quietly, like you might say to a child who got something wrong by mistake. He only said anything at all because he is a kind interlocutor. He is kind in a lot of ways. Today he came to The Peach and drove me and some boxes of magazines to a shop so I wouldn't have to carry them, but then he said he had to do laundry and went home. So you can see it was one of those real kindnesses and not the fake kind, which is actually a little disappointing.
You know how pineapple is the king of all fruit? Well I mentioned that last night, in a conversation about artificial fruit scents whilst smelling a scratch'n'sniff sticker. Nobody understood what I meant. The sticker-giving woman thought I meant pineapple was my favourite fruit, Mr X was just puzzled but he leant over a little and said "I like pineapple, it's a good fruit." but quietly, like you might say to a child who got something wrong by mistake. He only said anything at all because he is a kind interlocutor. He is kind in a lot of ways. Today he came to The Peach and drove me and some boxes of magazines to a shop so I wouldn't have to carry them, but then he said he had to do laundry and went home. So you can see it was one of those real kindnesses and not the fake kind, which is actually a little disappointing.
He's back
Spencer is playing with Damo Suzuki again, tonight in Newcastle, last night here in Sydney, last weekend in Melbourne. This time round Gareth Liddiard from The Drones joined them onstage to add some noise. I was thinking of writing something about it but then I remembered I am lazy.
Here's something I wrote last time Damo was in town, or maybe it was the time before that. I can't remember because my memory is also lazy.
Here's something I wrote last time Damo was in town, or maybe it was the time before that. I can't remember because my memory is also lazy.
This weekend wasn’t my first time standing in front of Damo
Suzuki. I once started a review of Damo Suzuki with The Holy Soul like this: “Damo
Suzuki is committed to the emitting of sound. He spares nothing, throwing his
whole self into the grand wordlessness of Damo Suzuki's Network experience. He
dances like a one-sided Axl Rose, hands gripping the microphone, long hair
hanging in dusty curtains. Suzuki is enigmatic yet humble, as though the music
moves involuntarily through his body.”
Wenceslas
I felt like Mrs Dalloway, or Clarissa Vaughn echoing fictionally around on her way to a dying poet with fistfuls of flowers. I went to steal them from gardens but street after street bore nothing but concrete and the bare bulb-ended green things that play flowers in the hot parts of the year. I think its OK to pay for flowers when the poet isn't dying faster than anyone else so I counted out ten gold coins while the cashier held out half an impatient hand.
Five days ago my father bellowed out words like, strident, abusive, arrogant and smirked while my aged aunt thrust both arms back into memory for the right word. 'Bohemian', she said. They called me bohemian, all those relatives in formal dress. I told Spencer and we scoffed over coffee. I'm the least bohemian person I know, here, in the new town, where I have burrowed out a cave room and set a fire in the corner. There are proper curtains and thread counts and cupboard complete with cups.
Some of the others here still drink whiskey out of jars and play the same crackling old records Joe Lynch might have listened to, if he had the money. Now of course there are crates of them on corners every Saturday morning.
I didn't come here to study them, to take down hasty notes in dark corners while they rollick across perfectly stationary floors. I came here unwillingly, rudder locked eastward, anchor gone screaming into the night. I came here in cardboard boxes and settled heavily into daily clockwork risings, for money, only for the money. The notes started small and scrawling, mystifying untranslated rubbings across self-erected tombs of the wildly living. But they have grown.
Walking across a whole morning with the single purpose of flowers information came to me. Neighbours appeared at my gate on the telephone to Marianne Faithfull, lay down chapters of books for my magazine, the radio spoke with the voice of real friends, in song and story. Two people left for Spain with guitars and tour dates, Spencer and I spoke about which shirt he should wear in Paris. I said purple, he said he'd wear whatever he liked but the point was he's leaving for another overseas tour. The point is I'm sitting in my window looking out where the snow would fall if the world ever flipped and we had a chance at crisp and even.
Five days ago my father bellowed out words like, strident, abusive, arrogant and smirked while my aged aunt thrust both arms back into memory for the right word. 'Bohemian', she said. They called me bohemian, all those relatives in formal dress. I told Spencer and we scoffed over coffee. I'm the least bohemian person I know, here, in the new town, where I have burrowed out a cave room and set a fire in the corner. There are proper curtains and thread counts and cupboard complete with cups.
Some of the others here still drink whiskey out of jars and play the same crackling old records Joe Lynch might have listened to, if he had the money. Now of course there are crates of them on corners every Saturday morning.
I didn't come here to study them, to take down hasty notes in dark corners while they rollick across perfectly stationary floors. I came here unwillingly, rudder locked eastward, anchor gone screaming into the night. I came here in cardboard boxes and settled heavily into daily clockwork risings, for money, only for the money. The notes started small and scrawling, mystifying untranslated rubbings across self-erected tombs of the wildly living. But they have grown.
Walking across a whole morning with the single purpose of flowers information came to me. Neighbours appeared at my gate on the telephone to Marianne Faithfull, lay down chapters of books for my magazine, the radio spoke with the voice of real friends, in song and story. Two people left for Spain with guitars and tour dates, Spencer and I spoke about which shirt he should wear in Paris. I said purple, he said he'd wear whatever he liked but the point was he's leaving for another overseas tour. The point is I'm sitting in my window looking out where the snow would fall if the world ever flipped and we had a chance at crisp and even.
Communal ridiculous celebrates cat AIDS, in her hand
I don't know who's idea it was to start singing but we were all doing it. Spencer was cranking out song after song on the guitar and somewhere along the way we all lost our shit and just sang as loud as we could. Waving around our arms and creating one hell of an unharmonious racket.
It might have been the cold, the hours we spent UFO spotting in the park in the middle of winter, Spencer's idea of an ace birthday party, or the sheer volume of drinking under our belts. After the park where Spencer spotted fifteen UFO's and nobody else any at all we congregated in Spencer's lounge room. There were already people there, drunk as fuck and making little sense to anyone but themselves. One small woman in the corner held up her hand in greeting, showing off a fresh looking graze on the heel of her palm. She said 'I've got cat AIDS' then went back to the bottom of her glass.
Someone explained on the small woman's behalf that she had slipped on some pavers and grazed her hand. She was convinced that there was cat urine somewhere in the mix and now she was telling everyone about her new dose of hopefully imaginary cat AIDS.
Songs turned into time and we sang our way through three more bottles of wine. There were highlights, old favourites, songs nobody at all knew the words for so we all just made noises that kind of sounded like the right words were somewhere underneath the almost melodic synchronised guttural utterances.
Spencer started playing 'Zombie' by The Cranberries. It seemed like we all knew the words, everyone jumping in with;
But you see, it's not me, it's not my family.
In your head, in your head they are fighting,
With their tanks and their bombs,
And their bombs and their guns.
In your head, in your head, they are crying...
In your head, in your head, Zombie, zombie, zombie.
It might have been the cold, the hours we spent UFO spotting in the park in the middle of winter, Spencer's idea of an ace birthday party, or the sheer volume of drinking under our belts. After the park where Spencer spotted fifteen UFO's and nobody else any at all we congregated in Spencer's lounge room. There were already people there, drunk as fuck and making little sense to anyone but themselves. One small woman in the corner held up her hand in greeting, showing off a fresh looking graze on the heel of her palm. She said 'I've got cat AIDS' then went back to the bottom of her glass.
Someone explained on the small woman's behalf that she had slipped on some pavers and grazed her hand. She was convinced that there was cat urine somewhere in the mix and now she was telling everyone about her new dose of hopefully imaginary cat AIDS.
Songs turned into time and we sang our way through three more bottles of wine. There were highlights, old favourites, songs nobody at all knew the words for so we all just made noises that kind of sounded like the right words were somewhere underneath the almost melodic synchronised guttural utterances.
Spencer started playing 'Zombie' by The Cranberries. It seemed like we all knew the words, everyone jumping in with;
But you see, it's not me, it's not my family.
In your head, in your head they are fighting,
With their tanks and their bombs,
And their bombs and their guns.
In your head, in your head, they are crying...
In your head, in your head, Zombie, zombie, zombie.
Then came a pause in the singing, no one remembering the next verse, some of us started just humming and harmonising the right sounds but from the corner a clear voice started ringing out singing.
'I've got cat aids, in my haannd, in my hand, in my hand
I'm still fighting'.
There was a communal shrug then everyone, and I mean everyone, all fifteen of us, fell into the song with enthusiasm so wild it was frightening.
'She's got cat aiiiids in her haaaaand, in her haaaaaaaand, cat aids cat aids, but she's fighting'.
Spencer had his wits about him and started playing us in a loop. The small woman in the corner repeated her solo verse, holding her injured palm out and rising from her chair like she was on wires. Three drummers in the room started banging beer bottles on the table and someone picked up another guitar. The chorus swelled again and again 'She's got cat aiiiids, in her haaaaaand, cat aids cat aids, but she's fighting'.
Spencer played us in a loop for an age but the song only gained momentum. We were for those minutes joined together in the height of a communal ridiculous. Together as one voice of call and response, all of us screaming words through laughter. The night and the songs went until just about dawn with moments so strong you could pen a book about them but that one, the impromptu chorus of cat AIDS, well that was really something.
Spencer turned thirty and thought nothing of it
Spencer turned thirty on Saturday. It was about fucking time. He's been in his twenties the whole time I've known him, first he was twenty-one and then a whole year at every age until thirty. It's been a long ride.
Thirty is one of those reflective birthdays where you sit down and have a little think. The first things I thought about were how much he has annoyed me, which is a lot but probably not quite as much as I have annoyed him. Friendship is sometimes a two-way annoyer-annoyee contract. I was thinking about making some notes about the annoying times but that would be easy and a little glib. Then I thought about the moments of support through sorrow, betrayal or ridiculous romantic muddles with hideously inappropriate men. Spencer was there for all of them but that too would be easy.
What is more difficult are moments of friendship and understanding that drop like a mantle pinning you still for just a second while the world glides on your own gentle axis.
Last Saturday I had to read a short story in front of an audience. I did not want to. I was petrified. I was coerced into going through with the deed by a horde of people, Spencer being one of them. I had friends in the crowd, all of them lovely, but Spencer was the one I knew I would go to if I fucked it up royally, made an irredeemable fool of myself and needed someone to make a fast exit with. I shouldn't have been so afraid, writers do this kind of thing all the time, but I was because before that night I've always said no, let my fear guide my answer and just said no.
The reading went with no major hitches, no one was more surprised than me. My next move should have been the bar, but the crowd seemed impenetrable. They were planted wall-to-wall like cross-legged rocks, jagged and unable to be stepped upon. I gave up on the idea of a drink but Spencer went over the back of the armchair he was holed up on and picked his way to the bar.
He strode back towards me, triumphant over the cross-legged crowd, holding two open bottles of beer. I saw he was heading for some difficulty, climbing simultaneously between the red hanging wall partitions and over the back of a sofa. I stood up to help and fell into a five second ballet. He came up suddenly over the back of the sofa rising gracefully as an eagle, passing a bottle into my open hand then placing his empty hand on the top of my head for balance. While he was up there, tall as a rafter, I looked up at the travelling arc of him and realised we were mirroring the same grin, shining and elongated with one long unlit cigarette out of the corner of each of our mouths. I kept looking and grinning as the flat palm of his hand centred his descent and he came to rest feet first on the ground.
It seemed to me that everything was communicated in that five second arc over the back of an old sofa with full beer bottles and unlit cigarettes and stupid grins. It seemed to me like we'd sat for hours talking, me saying how much I had needed him there, him saying of course he was going to be there and that I did alright. Me saying that for years it was him turning his back and taking three tall steps up and onto a stage and that it seemed important somehow that just this once it was me doing the climbing. Him saying that I did it, and he knew all along that I could.
I don't suppose it sounds like much, five seconds of grinning and balancing in the quest for beer but just in that moment it was everything. To be wordlessly understood as the somersaulting mix of fear and relief left me giddy. To know absolutely that his open palm on the top of my head was guiding him safely back down no less than his presence was safely guiding me.
Spencer is one hell of a friend. So happy birthday to him.
note:
I actually received an overwhelming amount of encouraging advice and support about mastering my stage fright and reading my story. From a whole bunch of people like Gemnastics, Geoff Lemon, Anushka, Spencer, Vanessa Berry, Thomas G Watts, my mum and especially Tim Sinclair who came to my house and got all Geoffrey Rush on my Colin Firth arse but right now this is about Spencer.
I am grateful to the people who came up to me afterwards and said they liked my story, especially the people who quoted lines of it back to me, that was odd but nice that you remembered some of my words. And to the woman in the red coat at The Duke thank you for coming up to me and saying you liked my story, days and days and days after the fact. That was kind of great.
Oh and erm, thanks Pip Smith and Penguin Plays Rough for making me do it, giving me free drinks and then paying me money. I hid the money in my sock drawer.
Thirty is one of those reflective birthdays where you sit down and have a little think. The first things I thought about were how much he has annoyed me, which is a lot but probably not quite as much as I have annoyed him. Friendship is sometimes a two-way annoyer-annoyee contract. I was thinking about making some notes about the annoying times but that would be easy and a little glib. Then I thought about the moments of support through sorrow, betrayal or ridiculous romantic muddles with hideously inappropriate men. Spencer was there for all of them but that too would be easy.
What is more difficult are moments of friendship and understanding that drop like a mantle pinning you still for just a second while the world glides on your own gentle axis.
Last Saturday I had to read a short story in front of an audience. I did not want to. I was petrified. I was coerced into going through with the deed by a horde of people, Spencer being one of them. I had friends in the crowd, all of them lovely, but Spencer was the one I knew I would go to if I fucked it up royally, made an irredeemable fool of myself and needed someone to make a fast exit with. I shouldn't have been so afraid, writers do this kind of thing all the time, but I was because before that night I've always said no, let my fear guide my answer and just said no.
The reading went with no major hitches, no one was more surprised than me. My next move should have been the bar, but the crowd seemed impenetrable. They were planted wall-to-wall like cross-legged rocks, jagged and unable to be stepped upon. I gave up on the idea of a drink but Spencer went over the back of the armchair he was holed up on and picked his way to the bar.
He strode back towards me, triumphant over the cross-legged crowd, holding two open bottles of beer. I saw he was heading for some difficulty, climbing simultaneously between the red hanging wall partitions and over the back of a sofa. I stood up to help and fell into a five second ballet. He came up suddenly over the back of the sofa rising gracefully as an eagle, passing a bottle into my open hand then placing his empty hand on the top of my head for balance. While he was up there, tall as a rafter, I looked up at the travelling arc of him and realised we were mirroring the same grin, shining and elongated with one long unlit cigarette out of the corner of each of our mouths. I kept looking and grinning as the flat palm of his hand centred his descent and he came to rest feet first on the ground.
It seemed to me that everything was communicated in that five second arc over the back of an old sofa with full beer bottles and unlit cigarettes and stupid grins. It seemed to me like we'd sat for hours talking, me saying how much I had needed him there, him saying of course he was going to be there and that I did alright. Me saying that for years it was him turning his back and taking three tall steps up and onto a stage and that it seemed important somehow that just this once it was me doing the climbing. Him saying that I did it, and he knew all along that I could.
I don't suppose it sounds like much, five seconds of grinning and balancing in the quest for beer but just in that moment it was everything. To be wordlessly understood as the somersaulting mix of fear and relief left me giddy. To know absolutely that his open palm on the top of my head was guiding him safely back down no less than his presence was safely guiding me.
Spencer is one hell of a friend. So happy birthday to him.
note:
I actually received an overwhelming amount of encouraging advice and support about mastering my stage fright and reading my story. From a whole bunch of people like Gemnastics, Geoff Lemon, Anushka, Spencer, Vanessa Berry, Thomas G Watts, my mum and especially Tim Sinclair who came to my house and got all Geoffrey Rush on my Colin Firth arse but right now this is about Spencer.
I am grateful to the people who came up to me afterwards and said they liked my story, especially the people who quoted lines of it back to me, that was odd but nice that you remembered some of my words. And to the woman in the red coat at The Duke thank you for coming up to me and saying you liked my story, days and days and days after the fact. That was kind of great.
Oh and erm, thanks Pip Smith and Penguin Plays Rough for making me do it, giving me free drinks and then paying me money. I hid the money in my sock drawer.
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